Station Eleven: a post-apocalyptic tale of survival and hope, now an HBO Max series

· Pan Macmillan
4.3
198 reviews
Ebook
384
Pages
Eligible

About this ebook

One of The New York Times 100 Best Books of the 21st Century

'Best novel. The big one . . . stands above all the others' – George R.R. Martin, author of Game of Thrones


Now an HBO Max original TV series

What was lost in the collapse: almost everything, almost everyone, but there is still such beauty.

One snowy night in Toronto famous actor Arthur Leander dies on stage whilst performing the role of a lifetime. That same evening a deadly virus touches down in North America. The world will never be the same again.

Twenty years later Kirsten, an actress in the Travelling Symphony, performs Shakespeare in the settlements that have grown up since the collapse. But then her newly hopeful world is threatened . . .

If civilization was lost, what would you preserve? And how far would you go to protect it?

'Disturbing, inventive and exciting, Station Eleven left me wistful for a world where I still live' – Jessie Burton, author of The Miniaturist

Station Eleven is part of the Picador Collection, a series showcasing the best of modern literature.

Ratings and reviews

4.3
198 reviews
Google User
June 11, 2025
well written, but does not bring anything new to the table. Well, if you ever wondered what english mayors and liberal arts students would be doing after a virus wiped out 99.9% of humanity - than this is the book for you. Hard to believe how they could not not starve, but well... For a more serious take on the subject i'd recommend "The Road", "Earth Abides" or 'canticle for Leibowitz'. Half the book plays before the pandemic, describing how some movie star got his career going and got divorced 3 times. clean slate? not so much - all key protagonists are hung up on the past. Which wouldn't be a healthy mindset in the long run, I'd say. Curiously, the author is of the same opinion. Most annoying (to my taste): time and again the protagonists moan/reminisce how awesome electricity/refrigerators/air conditioning/what have you... was (20 years after the pandemic mind you) - and none of them has the skills or aptitude to do anything about it - i.e. getting a windmill to generate electricity. just poking fun at someone who actually tries. By the way, just hoarding knowledge, museum style, without putting it to use, gets civilization exactly nowhere ---> see canticle for Leibowitz' And finding out who tried an unsuccessful resuscitation on a movie star - right before everyone died anyway - does not get electricity flowing either... but our protagonists have their priorities. which are digging out 20 year old gossip magazine rather than text books...
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Zita Okeke
May 12, 2025
The author has a wonderfully original talent at weaving the threads of different storylines seamless less across the past and present. It certainly was a book that made me think deeply about life. I expected a page turner, but if you are looking for the walking dead this is not it. It has more of a Cannes award winning movie slow aced type of vibe.
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Daniel Lawson
September 12, 2017
This is an unusual post apocalypse story, nominally about the world 20 years after a deadly flu epidemic. It's surprisingly gentle given the death of so many people, and the world is interesting and perhaps more realistic than standard in the genre. For me however the beauty was marred by a focus on storylines from before the apocalypse, of rich and unrelatable people. The interesting world was under used, and related to the title concept of Station 11 in a way that felt flat and disappointing.
3 people found this review helpful
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About the author

Emily St. John Mandel was born in Canada and studied dance at The School of Toronto Dance Theatre. Her novels are Last Night in Montreal, The Singer’s Gun, The Lola Quartet, Station Eleven and The Glass Hotel. She lives in New York City.

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