Giới thiệu về sách điện tử này
The first great Russian writer to emerge from the ranks of the proletariat, Maxim Gorky (1868–1936) was born into poverty and orphaned at an early age. Entirely self-taught, he experienced firsthand the suffering, injustice, and despair which permeate his tales. Speaking for the social outcast, the downtrodden, and the oppressed, he vividly depicted the miserable loves of the lowest classes who raged in protest against an uncaring society. His sensitivity and candor won him a devoted following.
Three of Gorky's best known appear in this collection — the title story, in which a thieving vagrant takes on a young, unwilling apprentice; "Makar Chudra," the story of an ill-fated, tempestuous romance between a pair of gypsy lovers; and "Twenty-six Men and a Girl," widely regarded as Gorky's best short story, in which a wretched crew of pretzel-makers, laboring in a damp and grimy cellar, destroy their only source of joy.
Student and general readers alike will value this affordable collection of powerful tales by one of Russia's best-loved authors and greatest portrayer of the "lower depths."
Three of Gorky's best known appear in this collection — the title story, in which a thieving vagrant takes on a young, unwilling apprentice; "Makar Chudra," the story of an ill-fated, tempestuous romance between a pair of gypsy lovers; and "Twenty-six Men and a Girl," widely regarded as Gorky's best short story, in which a wretched crew of pretzel-makers, laboring in a damp and grimy cellar, destroy their only source of joy.
Student and general readers alike will value this affordable collection of powerful tales by one of Russia's best-loved authors and greatest portrayer of the "lower depths."
Giới thiệu tác giả
Alexei Maximovich Peshkov, better known as Maxim (Maksim) Gorky, was born on March 28th, 1968. Until the recent collapse of the Soviet state, Gorky was officially viewed as the greatest Russian writer of the twentieth century---an evaluation far above the true measure of his nevertheless considerable talent. Proclaimed the founder of socialist realism, he significantly influenced many Soviet writers, as well as others in Europe and in the developing world, and his works were for decades part of the Soviet school curriculum. His formal education was minimal. From the age of 11, he fended for himself with a variety of jobs. Self-taught, he published his first story, "Makar Chudra," in 1892. His first collection, Sketches and Stories (1898), is a romantic celebration of society's strong outcasts---the hobos and the drifters---and helped to popularize such literary protagonists. Foma Gordeyev (1899), Gorky's first novel, depicts generational conflict within the Russian bourgeoisie. A popular public figure on the left, Gorky was often in trouble with the tsarist government. During the 1900s, he was the central figure in the Znanie publishing house, which produced realist prose with a social conscience. Some of his own works were extremely successful. The play The Lower Depths (1902), set in a poorhouse and a strong indictment of social injustice, was not only a staple of Soviet theater but also influential in the United States. Eugene O'Neill's The Iceman Cometh was influenced by it. The propagandistic, extraordinarily influential novel Mother (1906) presents an iconic working-class woman who is transformed into a saint of the Revolution; its optimism in the ultimate triumph of the cause made it a prototype of socialist-realist fiction. During the years prior to 1917, Gorky published a number of autobiographical stories: All Over Russia (1912--18) (also Through Russia) and his memoirs; My Childhood (1913--14), My Apprenticeship (1915--16), and My Universities (1923). This trilogy shows his art at its best and includes some very lively reminiscences of such writers as Tolstoy and Chekhov. Although a Bolshevik party member since 1905, Gorky strongly criticized the new regime after the October Revolution: His collected articles from 1917-18, Untimely Thoughts, remained unpublished in the Soviet Union until recently. A cultural activist, he helped to save the lives of many writers, artists, and scholars during the cold and hungry years of the civil war. In 1921 he left Russia for Italy but returned permanently a decade later, recognized as the grand old man of Soviet literature. He then worked for Stalin's economic policies and presided over the institutionalization of socialist realism. At his death, he left unfinished a major novel of considerable interest, The Life of Klim Samgin, which he had been working on since 1925.
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