No Friend But the Mountains: Writing from Manus Prison

· Picador Australia
4.1
39 reviews
Ebook
300
Pages
Eligible

About this ebook

WINNER OF THE VICTORIAN PREMIER'S LITERARY PRIZE FOR LITERATURE AND FOR NON-FICTION 2019

Where have I come from? From the land of rivers, the land of waterfalls, the land of ancient chants, the land of mountains...


In 2013, Kurdish journalist Behrouz Boochani was illegally detained on Manus Island.

People would run to the mountains to escape the warplanes and found asylum within their chestnut forests...

This book is the result. Laboriously tapped out on a mobile phone and translated from the Farsi. It is a voice of witness, an act of survival. A lyric first-hand account. A cry of resistance. A vivid portrait through six years of incarceration and exile.

Do Kurds have any friends other than the mountains?

WINNER OF THE NSW PREMIER'S AWARD 2019
WINNER OF THE ABIA GENERAL NON-FICTION BOOK OF THE YEAR 2019
WINNER OF THE NATIONAL BIOGRAPHY AWARD 2019
INAUGURAL WINNER OF THE BEHROUZ BOOCHANI AWARD FOR SERVICES TO ANTHROPOLOGY
FINALIST FOR THE TERZANI PRIZE 2020
LONGLISTED FOR THE COLIN RODERICK LITERARY AWARD 2019

PRAISE FOR NO FRIEND BUT THE MOUNTAINS

'Our government jailed his body, but his soul remained that of a free man.' RICHARD FLANAGAN

'The most important Australian book published in 2018.' ROBERT MANNE

'A powerful account ... made me feel ashamed and outraged. Behrouz's writing is lyrical and poetic, though the horrors he describes are unspeakable' SOFIE LAGUNA

'A poetic, yet harrowing read, and every Australian household should have a copy.' MAXINE BENEBA CLARKE

'A chant, a cry from the heart, a lament, fuelled by a fierce urgency, written with the lyricism of a poet, the literary skills of a novelist, and the profound insights of an astute observer of human behaviour and the ruthless politics of a cruel and unjust imprisonment.' ARNOLD ZABLE

'A shattering book every Australian should read' Benjamin Law (@mrbenjaminlaw 01/02/2019)

'A magnificent writer. To understand the true nature of what it is that we have done, every Australian, beginning with the prime minister, should read Behrouz Boochani's intense, lyrical and psychologically perceptive prose-poetry masterpiece.' The Age

'He immerses the reader in Manus' everyday horrors: the boredom, frustration, violence, obsession and hunger; the petty bureaucratic bullying and the wholesale nastiness; the tragedies and the soul-destroying hopelessness. Its creation was an almost unimaginable task... will lodge deep in the brain of anyone who reads it.' Herald Sun

'Boochani has defied and defeated the best efforts of Australian governments to deny asylum seekers a face and a voice. And what a voice: poetic yet unsentimental, acerbic yet compassionate, sorrowful but never self-indulgent, reflective and considered even in anger and despair. ... It may well stand as one of the most important books published in Australia in two decades, the period of time during which our refugee policies have hardened into shape - and hardened our hearts in the process.' SATURDAY PAPER

'An essential historical document.' Weekend Australian

'In the absence of images, turn to this book to fathom what we have done, what we continue to do. It is, put simply, the most extraordinary and important book I have ever read.' Good Reading Magazine (starred review)

'Brilliant writing. Brilliant thinking. Brilliant courage.' Professor Marcia Langton AM (@marcialangton 01/02/2019)

'Segues effortlessly between prose and poetry, both equally powerful.' Australian Financial Review

'Boochani has woven his own experiences in to a tale which is at once beautiful and harrowing, creating a valuable contribution to Australia's literary canon.' Writing NSW

Ratings and reviews

4.1
39 reviews
T Gauntlett
July 17, 2019
Absolute bilge. Read only if you are a self-hating sjw. The author complains about everything from the size of the toilets to the 'offensive body odour' of his fellow 'prisoners' and expects 'lazy fat Australians' to take him in regardless. Misses a couple of key points including the fact that no one is a prisoner on Manus. You can leave when you like as long as you're not leaving for Australia. Unfortunately a lot of the so called 'prisoners' on this island, are incapable of coming to terms with the above as they see Australian citizenship (and the free housing, healthcare and education benefits that come with it) is an entitlement they deserve access to. If you're a self-hating leftist/ethnomasochist of other political denomination then absolutely go ahead and waste your time and money on this collection of propagandist indoctrination. If not, save your time and effort for something more useful like volunteering at your local soup kitchen. You'll add a lot more good to the world with the latter.
101 people found this review helpful
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S A
November 30, 2023
Very powerful, enjoyed every sentence ♥️
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Sue Nash
November 2, 2018
Powerful, surreal, a masterpiece
212 people found this review helpful
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About the author

Associate Professor Behrouz Boochani graduated from Tarbiat Moallem University and Tarbiat Modares University, both in Tehran; he holds a Masters degree in political science, political geography and geopolitics.

He is a Kurdish-Iranian writer, journalist, scholar, cultural advocate and filmmaker. Boochani was a writer for the Kurdish language magazine Werya; is Associate Professor in Social Sciences at UNSW; non-resident Visiting Scholar at the Sydney Asia Pacific Migration Centre (SAPMiC), University of Sydney; Honorary Member of PEN International; and winner of an Amnesty International Australia 2017 Media Award, the Diaspora Symposium Social Justice Award, the Liberty Victoria 2018 Empty Chair Award, and the Anna Politkovskaya award for journalism.

He publishes regularly with The Guardian, and his writing also features in The Saturday Paper, Huffington Post, New Matilda, The Financial Times and The Sydney Morning Herald. Boochani is also co-director (with Arash Kamali Sarvestani) of the 2017 feature-length film Chauka, Please Tell Us The Time; and collaborator on Nazanin Sahamizadeh's play Manus.

His book, No Friend But The Mountains: Writing From Manus Prison won the 2019 Victorian Prize for Literature in addition to the Nonfiction category. He has also won the Special Award at the NSW Premier's Literary Awards, the Australian Book Industry Award for Nonfiction Book of the Year, and the National Biography Prize. He has been appointed adjunct associate professor in the faculty of Arts and Social Sciences at the University of NSW and visiting professor at Birkbeck Law School at the University of London.

He was a political prisoner incarcerated by the Australian government in Papua New Guinea for almost seven years. In November 2019 Behrouz escaped to New Zealand. He now resides in Christchurch.

Dr Omid Tofighian is an award-winning lecturer, researcher and community advocate, combining philosophy with interests in citizen media, popular culture, displacement and discrimination. He completed his PhD in philosophy at Leiden University, Netherlands, and graduated with a combined honours degree in philosophy and studies in religion at the University of Sydney. Tofighian has lived variously in Australia where he taught at different universities; the United Arab Emirates where he taught at Abu Dhabi University; Belgium where he was a visiting scholar at K.U. Leuven; Netherlands for his PhD; and intermittent periods in Iran for research. His current roles include Assistant Professor of English and Comparative Literature, American University in Cairo; Adjunct Lecturer in the School of the Arts and Media, UNSW; Honorary Research Associate for the Department of Philosophy, University of Sydney; faculty at Iran Academia; and campaign manager for Why Is My Curriculum White? - Australasia. He contributes to community arts and cultural projects and works with refugees, migrants and youth. He has published numerous book chapters and journal articles, is author of Myth and Philosophy in Platonic Dialogues (Palgrave 2016), translator of Behrouz Boochani's multi-award winning book No Friend but the Mountains: Writing From Manus Prison (Picador 2018), and co-editor of 'Refugee Filmmaking', Alphaville: Journal of Film and Screen Media (Winter 2019).

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